Monitor AT-2151HD
RUIGE-ACTION AT-2151HD MONITOR DIRECTOR DE TRANSMISIÓN HDMI 3G-SDI ULTRA BRILLANTE DE 21,5”
Sistema operativo y funciones prácticas, sencillas y precisas.
Capaz de ser aplicado tanto en etapas de producción como de postproducción.
AT-2151 HD (Alto Brillo)
Tamaño de pantalla: 21,5”
Con 1200 nits de brillo, el AT-2151 es el monitor ideal para filmar en exteriores.
Accurate color reproduction is one of the most important factors of a professional grade monitor. All AT-Series monitors include 3D-LUT, complying with REC-709 color standard. We use CALMAN software to calibrate each ACTION monitor from the factory to ensure accurate image representation, as well as consistency across each unit.
Información adicional
| Peso | 4,70 kg |
|---|---|
| Dimensiones | 51,48 × 32,80 × 4,00 cm |
Feature
- 16:9 FULL HD 1920*1080 ,HIGH BRIGHTNESS PANEL
- SDI and HDMI VIDEO SIGNAL LUMINANCE WAVEFORM DISPLAY
- FALSE COLOR, RAPID POSITIONING OF OUT OF LUMINANCE
- SAFETY MARKS,MARKER SCALE,CENTER MARK
- B&W，BLUE ONLY
- SDI 1/1.001
- HDCP 1.1
- 16 CHANNEL AUDIO METERS
- SAFETY LOCK FEATURE
- ZEBRA
- EMBEDDED 3D-LUT（Rec709, SMPTE-C, SRGB AND EBU）
- F KEY USER-DEFINED
- SUPPORT RUIGE PCC COLOR CALIBRATION SOFTWARE
- INTELLIGENT LIGHT PERCEPTION, AUTO BRIGHTNESS ADJUSTMENT
| MODEL | AT-2150HD PROFESSIONAL |
| SCREEN SIZE | 21.5′ LCD monitor |
| RESOLUTION | 1920×1080 |
| ASPECT RATIO | 16：9/switchable4:3 |
| BRIGHTNESS | 1000cd/㎡ |
| CONTRAST RATIO | 1000:1 |
| BIT DEPTH | 8Bit |
| IMAGE PROCESSING | 10Bit |
| RESPONSE TIME | 7ms |
| VIEWING ANGLE | HORIZONTAL 178° VERTICAL 178° |
| BACK LIGHT | WLED |
| DC INPUT POWER | 12V DC |
| POWER CONSUMPTION | ≤22W |
| DIMENSION | L514.8×H328×D40mm |
| WEIGHT (without battery) |
Around4.7Kg |
| INSTALLATION | Desktop or VESA |
| VIDEO INPUT | 3G/HD/SD-SDI 2 X BNC HDMI 1.3 X 1 |
| EMBEDDED AUDIO | 16 CHANNEL DISPLAY 8 CHANNEL AT ONE TIME |
| AUDIO MONITORING | SPEAKERS/HEADPHONE |
| SDI EMBEDDED AUDIO | SUPPORT |
| VIDEO OUTPUT | 3G/HD/SD-SDI 1 x BNC |
| TALLY DISPLAY | DUAL-COLOR TALLY LIGHT |
3D Lut loading
B/P/D Series Monitor internally built in 3D-LUT Color Management System in accordance with unified industry standards and it uses professional testing equipment to take systematic and accurate calibration for monitors to ensure the display indicator of monitor meet the tolerance range of color space standard .Therefore, it ensures each monitor has the accurate color restoration and the color of same style monitors is consistent to the maximum extent.
Signal Hidden ” Function—Headroom and Footroom waveform
IRE Waveform is used for checking exposure value of shooting spot ,and also it is a necessary tool for testing the camera tolerance by DP or Cinematographer .
Film shooting now are still based on 2.35:1 aspect ratio , HL-700HD uses the “ safety signal hidden” function . If we want to display 2.35:1 scale on the 16:9 screen , we can use this “ safety signal hidden “ function to realize the full screen IRE waveform display and also to view the complete picture . In this way, the range of the IRE safety signal will be hidden and just display the signal over IRE 80 and below IRE 20 .Moreover , it displays the bright part and dark part this two key signal information in the upper and lower part of screen , where there is no picture displaying . We can see not only the whole shooting picture displayed ,but also the full screen IRE waveform displayed with the accuracy in the real time and it solves the incompatibility of this two display ways . In fact , we generally view the full screen IRE waveform when testing the equipments and focus on the bright and dark zones when shooting.
Audio Meter
16 channels of embedded audio in the SDI video signal can be decoded and 8 selective channels can be shown on the screen at the same time. The Volume unit shows both VU and PPM.
Usage:
The Volume unit is used for measuring audio levels and calibration. This is helpful for making sure that audio levels are within technical requirements and specifications.
False Color
Luminance levels can be represented using False Color on the screen. It represents the amount of exposure explained as color values ranging from Blue to Green to Yellow to Red.
Usage:
False Color is used to assist in setting the camera exposure. Blue (cool color) indicates a low exposure, a darker blue indicates an even lower exposure. Red (warm color) indicates a high exposure and a deeper red indicates an even higher exposure. Green and Yellow are in between. A scan feature allowing the image to be offset to the upper left revealing the Luminance Waveform on the upper right makes it easy to identify parts of the picture which may exceed standards.
Zebra
The zebra pattern is a reminder of the exposure of the subject. It is a highlight indicator. When shooting with a manual aperture, you can control the aperture according to the zebra pattern.
Usually when the brightness of the subject exceeds 80% of the maximum brightness that the camera can accommodate (this value is different depending on the model), zebra patterns begin to appear, so when adjusting the aperture, the brightest part of the subject should be Slightly zebra pattern, and no zebra pattern in other parts, so you can get accurate exposure. If there are too many zebra patterns, it shows overexposed; if there are no zebra patterns in any part of the image, the image is underexposed. At present, the level of the zebra pattern of some cameras is adjustable. It can usually be adjusted between 60% and 100% of the maximum brightness.
Safe & Area Marker
Usage:
Image overflow or cutoffs can be checked using this feature. This is helpful during “Pan and Scan” as image is prepped for various broadcast markets. Ruige monitors have selections for Safety Marker Scales, Title Scales, Transform Scales and Center Cross. This is helpful for composition during shooting or title placement.
Marker Scale
Blue Only
Only the blue portion of the video signal is displayed.
Usage:
This is used for monitor color phase adjustment, level and calibration
Muti-Aspect Ratio Switchable
Usage:
In order to adjust for correct scanning users can choose different Aspect ratios. Selections are: 16:9, 4:3, Letterbox, Pixel-to-Pixel, Over Scan and Built-in Scan.
Over scan
Usage：
Overscan is often used to programing for TV broadcast.
GPI Control
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